VanCon 2015 and carrying your words like a torch

At one of my colleges (long story), a professor told me that I didn’t say much but that when I did speak, people listened. I once forgot to do the reading and faked my way through a roundtable discussion on medieval Japanese court poetry, so I hope he was talking about another time. But I’ve always hoped he was right, in spite of assuming 99% of what I say is nonsense and no one is paying attention.

Most people already know that aside from having a fabulous VanCon, I went Supernatural set stalking on Monday. Because apparently we couldn’t think of anything better to do in the pouring rain than take a taxi to the far suburbs and walk for half an hour on residential roads with no clue where we were going. To our credit, we laughed the entire way. We stayed for several hours after everyone else left and there was little to see – but just before wrap, Jared waved us across the street onto the set and showed us around the Impala. He had us sit in the actual Impala. And Jensen heard him rev the engine and came out to check on his “Baby”, and I briefly thought Dean Winchester had manifested into reality to kick my ass. Look, I left “speechless” weeks ago. You all know, details or not, that we were incredibly fortunate and fans could not dare to dream of anything better. Last VanCon was my first Supernatural convention; I knew no one. To have come to that place in a year was, and continues to be, simply staggering.

But I’m not sure that was the most unbelievable thing that happened while I was in Vancouver.

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Lighthouses

“May it be a light for you in dark places, when all other lights go out.”

It’s very difficult to describe to those who have never been in a fandom why under its lens enthusiasm becomes passion, and acquaintances can become family. “It’s just a TV show!” they’ll exclaim. Precisely why media fandom is a more popular target for this criticism than, for example, sports fans, is a question unto itself. The fact remains that for people who have never been – even casually – participants in a fandom for a TV show, film, book, a blog, have great difficulty grasping how it’s possible that it could become the tentpole of a relatively sane individual’s life.

I’ve thought a lot about how to explain the kind of deep emotional ties that we can create with fiction (and often, creators of said fiction), and I think I’ve finally got it.

Imagine a lighthouse. Continue reading

Sherlock S3 E1: The Empty Hearse

Sherlock is, overall, an unconventional series. They like to drop breadcrumbs early on that are easy to miss, threads that eventually tie into a later plot element and only then make sense. This is part of what makes the show so clever, but that always leaves them on the knife edge of leaving too many viewers too confused, or giving the impression that events occur out of left field. Personally, I think it takes me three passes with anything complex to really get a handle on my opinion, and Sherlock is no exception. One for the heart (gut emotional reactions), one for the brain (evaluating what’s really happening), and one for the mechanism that makes it tick. I have to say that Sherlock Series 3 is the one I’m most conflicted about, and I think it will take another full pass through the season to really line up my thoughts and draw a conclusion.

I was initially in agreement with the fandom consensus that the case in the episode was too light, but on viewing #3 I feel less so. There’s some very deliberate structuring to make story elements overlap, so that you simply don’t register that one storyline is concurrent with another. They’re laying down the groundwork for one event while your attention is focused on another (e.g., always read the headlines on papers characters are reading). They’ve got a lot to pack into this episode, too: Sherlock’s return and the consequences of that, the question of “how he did it” lingering from the S2 cliffhanger, the events in John’s life in the intervening period, two cases, AND some subtle but critical setup for following episodes. That is a whole lot of pieces of furniture to move around. On top of that, there’s the “emotional baggage” of the characters AND the viewers that needs shifting after the two-year hiatus.

And it’s a bit of a Herculean task. [SPOILERS – ASSUMES YOU HAVE SEEN THE EPISODE] Continue reading

Sleepy Hollow is the most progressive show you may not be watching

I was watching Sleepy Hollow this past Monday and at the end of a scene was struck by something. There were five characters in this scene, and only one of them was white. (He’s also British and a man out of time, but I don’t think that quite qualifies him as a minority.) This is a pretty remarkable occurrence on primetime network TV.

It was a brief flash of thought that led me to be pretty mystified why I haven’t heard much discussion about how remarkable this show really is. What better day to bring it up than Martin Luther King Jr. Day, which also happens to be their season finale? Does it take people who can suspend their disbelief enough to accept a Revolutionary era soldier (who works for the Masons) was resurrected in modern day by witchcraft so he could fight the Apocalypse to be okay with a black female co-lead? Okay, maybe not; Kerry Washington has been winning awards for Scandal. But there’s no denying that most TV is still staggeringly lacking in diversity of all types.

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Cavalcade of Canadians: The Actor-Spotting Trivia Game

Yes, at long last, it’s the rules to the infamous game I’ve been playing forever, but named a few years ago. I’m writing them up because a few friends thought this was an actual thing that I did not invent (in contrast to the ones who just assumed I was nuts). So please, read on. Don’t leave me to play alone. When I’m sewing in the middle of the night no one can hear me call points. Let’s make it an actual thing.

cavalcadesm

CAVALCADE OF CANADIANS: The Actor-Spotting Trivia Game
Fun for the Whole Family (If your family consists of Canadian casting directors)
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Sherlock S3 E2: The Sign of Three

[CONTAINS SPOILERS] This episode has already been a point of contention among the frenzied mass of Sherlock fans who waited two years for a new series. I’m not sure any of us can even process new information fully after so much time disassembling and reassembling every iota of S1 and S2. But I’ll say at the start that I’m taking up the middle ground – I like it, AND it’s a bit incoherent and fragmented. For the sake of argument I’d rather focus on some of the negatives, since I’ve seen more of the positive.

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